Mariwô. is the palm-three leave that Ogum uses to dress in the rain forest. It represents the Orixá's protection and a perpetual signal of Ogun's immense power.

In the live version, the song is preceded by a Hamunha Candomble "toque". 
The "toque hamunha", or "hamunha rhythm" is part of the repertoire of the liturgical Candomblé drums known as "atabaques". This rhythm has its origins in the Candomblé Jeje nation. Its function during the Candomblé celebrations known as "xirê" is to indicate the entry of the devotees, as well as the end of the ceremony. Candomblé is an Afro-Brazilian religion that blends elements from different nations brought from Africa during the diaspora period between the seventeen-century and nineteen-century. In its ritual, three drums are utilized. The names of these drums are “atabaques”. One of these drums, the “Rum - drum”, the lowest of the three ones, improvises under different rhythms played by the other two drums, called “Rumpi”, medium pitch drum, and “Lé”, the highest pitch drum. In addition, a “Gān”, like the Brazilian “Ago-go” cowbell, plays constant rhythm patterns. 

Juan Megna wants to thank to masterdrummers Italossy Alexandro and Alison de Souza from the Ilê Àse Oyá Orìrí. They were taught by master drummer Edinho de Gantois, following a line of knowledge years that was passed orally through generations.